Quietly

I recently read Susan Cain’s new book, Quiet: The Power of Introverts in a World That Can’t Stop Talking. I found it both validating and thought-provoking. One direction my thoughts went was toward John Keats (what creature is the epitome of Introvert, if not the Poet?), and a passage I had read (and underlined!) in one of his letters.

A Poet is the most unpoetical of any thing in existence; because he has no Identity–he is continually in for–and filling some other Body–The Sun, the Moon, the Sea…It is a wretched thing to confess; but is a very fact that not one word I ever utter can be taken for granted as an opinion growing out of my identical nature–how can it, when I have no nature?…But even now I am perhaps not speaking from myself; but from some character in whose soul I now live.


My thoughts went back to this passage–first, because I found it so striking (and sympathetic) when I first read it; and second, because Cain discusses how introverts often “take on” an extrovert persona to get through certain aspects of life. (Vastly simplified–I highly recommend reading her book! And Keats!) How many faces do I have, and which one is the “real” me?

On another front, my husband is traveling for a few weeks, and I turn once again to My Dearest Friend, the letters of John and Abigail Adams to each other during their many and looooong separations. I can’t feel too sorry for myself, with my ability to telephone or email my beloved, when remembering how those two amazing people often went weeks or even months at a time without any word from each other.

Finally, to complete this little web of contemplation, Cain happens to mention that John Quincy Adams was in fact that rare creature, a U.S. President who was also an introvert.

Textiles

I know I haven’t updated in much too long, but rather than try to explain what I’ve been doing with myself all these long months, I would rather jump into what I’m doing with myself (some of the) now.

This project is an experiment in what I call (in my head) TEXTiles. How could I make my words practical? Why, by incorporating poems into quilts, of course. Not meant for arty display, but for keeping one warm.

Magic of Crazy Quilting I have been inspired by J. Marsha Michler’s The Magic of Crazy Quilting. My grand scheme is to do some of my favorite bits from Tennyson’s Idylls of the King in a Book of Kells style.

Meanwhile, I must practice, so I’m starting with one of my poems in a simple block scheme.

Hiding quilt blocks

The first five blocks. There will be 20.

Hiding poem block

The poem block, crookedly basted and ready for decoration. I'm a little nervous about this part, as it has been years since I did embroidery. And of course I want it to be BEAUTIFUL.

Shorts for Spring

I’ve been dipping into Mark Strand and Eavan Boland’s The Making of a Poem, and especially enjoyed the section on the pastoral. From the book:

“In a simplified definition, it is that mode of poetry that sought to imitate and celebrate the virtues of rural life.” (p. 207)

“…the contemporary poet remains haunted by that strange mix of sweet dream and rude awakening that the pastoral convention has always offered.” (p. 209)

* * *

Pastoral
(with help from Andrew Marvell)

Fair Quiet, have I found thee here?
And Innocence, thy sister dear?

Here’s birdsong mixed with mowers rough
And grumbling cycles loud enough
To cancel peaceful, tranquil spring—
Yet still the earth grows richly green.

* * *

The Passionate Shepherd to His Love
Christopher Marlowe

Come live with me and be my love,
And we will all the pleasures prove
That valleys, groves, hills, and fields,
Woods, or steepy mountain yields.

And we will sit upon the rocks,
Seeing the shepherds feed their flocks,
By shallow rivers to whose falls
Melodious birds sing madrigals.

And I will make thee beds of roses
And a thousand fragrant posies,
A cap of flowers, and a kirtle
Embroidered all with leaves of myrtle;

A gown made of the finest wool
Which from our pretty lambs we pull;
Fair-lined slippers for the cold,
With buckles of the purest gold;

A belt of straw and ivy buds,
With coral clasps and amber-studs;
And if these pleasures may thee move,
Come live with me, and be my love.

The shepherd swains shall dance and sing
For thy delight each May morning:
If these delights thy mind may move,
Then live with me and be my love.

The Gentle Art of Self-Deception

I caught myself at it today.

Walking tends to put me in a contemplative mood, and as I strolled through the graveyard this morning I thought of my writing work, and how I am not (any longer) one of those writers who chains herself to the desk in search of inspiration. No, I wait for the lightning to strike, build up the electric charge deep within, and then…boom! So to speak. On the other hand, I am entirely aware of how I need to be in the storm (so to speak) of reading, connecting with other artistic people, and wanting to create, if I want to be struck by said lightning.

To that end, I have been working through Sage Cohen’s Writing the Life Poetic, once assiduously, now sporadically. (My attention span is, alas, shortish.) I have been doing her exercises in a handmade journal (smooth stardust paper, aquamarine fountain-pen ink), and while enjoying the tactile and industrious sensation, yet feeling less and less certain of the ultimate purpose.

Here’s the undeception: If I write by hand in a journal, I am making notes. I am playing around, no stakes, no commitment. I’ll get around to writing that poem…some day. Only when I sit at my desk and face that hard blank  computer screen does it become real work, requiring commitment, revision, sharing. Acceptance, rejection, complete indifference?

I do believe this is what I’m afraid of.

Music and Writing, Stewed

I have been ruminating lately on the connection between two great passions of my life: writing and music. The truth is, I spent at least half my life taking the music for granted. I grew up surrounded by music at home and in church; played piano and French horn in band through high school; and after high school, when that opportunity for making music with others was gone, began to seek out handbell and vocal choirs. Yet I have never considered myself a “musician.” I grew up determined to be a writer, and thought that was it. But now here I am, mid-life, realizing that it’s not about the labels.

I have long believed that my love for poetry influenced my prose style. I’m also starting to see that my love for music influences my poetry, in rhythm, sound, subject. It is, as I have admitted to friends, a slow-cooked revelation. And now that I see it, what do I do with this knowledge? Do I rush out and try to begin writing hymns, songs, lyrics? Head back to school to brush up on music theory? Or do I just savor the extra dose of joy when I hear music exquisitely suited to lyric, or true words about music? Keeping it in the slow-cooker for now.

Meanwhile, I’ll share part of a poem titled “A Night at the Opera” by William Matthews. It is “about” a lot more than music, but I savored these lines particularly:
 

                                          …their voices rise
and twine not from beauty, nor from the lack
of it, but from the hope for accuracy
and passion, both. They have to hit the note
and the emotion, both, with the one poor
arrow of the voice. Beauty’s for amateurs.

The Life Poetic

It feels as though I have been hibernating a long time; more than a year according to my last blog post. But as I am striving to reform in so many ways, perhaps keeping up with this blog will be one of them.

My daily writing discipline involves a concrete goal for the first time in an even longer while: In honor of National Poetry Month, I have been working my way through Sage Cohen’s Writing the Life Poetic, one chapter per day, and filling my poetry journal with whatever thoughts are sparked by the chapter’s exercise. Chapter 17 is up today.

In reading news, after a considerable sojourn in the land of nonfiction, I have returned to novels with a revisit to Anne of Green Gables. I had forgotten how good it is, and how wonderful it feels to sink into and care about characters. Montgomery’s descriptions of nature can be amazingly poetic. I am working on a found-poem experiment involving Anne and hope to share it soon.

Ch. 40: I foolishly take on more projects

But they are projects I prefer to some other ongoing commitments. So, beginning April 1 I am quietly jumping in to NaPoWriMo. This morning I put together a new 60-page journal in anticipation of many flowing words. I am also going to daily read in my new copy of The Canterbury Tales (Oxford University Press’s David Wright translation).

In addition to the poetry, I have agreed to do five teen writers’ workshops with my sister in crime, Kim—one each in April, May, June, July, and August.

Oh, and I’m planting a new mixed hedge of lilac, viburnum, and holly (plants already ordered, no backs), and moving some rosebushes…

If you need a good cry…

…rent the Jane Campion film Bright Star, about the relationship between John Keats and Fanny Brawne. Yes, we all know that Keats and Brawne were engaged but never married, and that he died of tuberculosis in Italy at the age of 25. What the film does is humanize the relationship in a way that the literature texts never could. Of course I’m a sucker for anything with Regency-era costume and sun-mist shots of the English countryside. And call me shallow, but I particularly enjoyed Miss Brawne’s many, many gorgeous outfits. (The film portrays her as a fashion designer and seamstress of extraordinary talent, so the frocks were not incidental to the plot.)

The good of all this, if you will: in addition to a cathartic cry and sudden urge to sew a pile of Empire-waisted, lawn and linen dresses, I also needed to read some Keats. Here is the “title” poem, from 1819-20.

Bright Star

Bright star, would I were steadfast as thou art—
Not in lone splendor hung aloft the night
And watching, with eternal lids apart,
Like nature’s patient, sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth’s human shores,
Or gazing on the new soft fallen mask
Of snow upon the mountains and the moors—
No—yet still steadfast, still unchangeable,
Pillowed upon my fair love’s ripening breast,
To feel forever its soft fall and swell,
Awake forever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever—or else swoon to death.

Power of Drudgery, pt. 2

Sanity is a Chimera of Relativity

I always said you’d be crazy to hand-wash
dishes in this day and age and with a family
to boot who would have satellite TV and a whole-
house entertainment system and no dishwasher?
I mean you have to eat. And then the clothes dryer
broke and here I am a month later stubbornly refusing
the inconvenience and expense of the repairman or
the expense and inconvenience of a new dryer
which will only break again and somehow I’ve found
a rhythm to clipping clothes to the line and a peace
in not keeping one ear open for that dreaded buzz
which means hurry before they wrinkle and after all
I never claimed to be anything but crazy and the simple
honesty of the labor gives me this chance to compose
poems in my head.

Scrabblepoem 2

It’s here! The event we’ve all been waiting for…The Second Annual Scrabblepoem Challenge. Without further ado, at 2.75 points per letter, my entry:

Ode to Word Games

Puzzler! Quandary!
Wit-wrack, quiet-jinx!
Numbers, words shan’t coincide
My tranquility axed with
quack- quaky- quartz- quiz- fox-packed ride:
Nix Scrabble! Nix Quiddler*!

But wait…There’s more! The creation below, weighing in at 2.48 points per letter, is from first-time entrant Mallory, aka Number-One Daughter.

A fuzzy zap
Leaves me perplexed
I dizzily speculate
Which way is which
With a quack I evoke
That my surname finishes
With a K
I will puzzle until
My memory visits

Ta Da! Well worth all the anticipation and hoopla, I know.

You’ll want to see what Lisa and Jim cooked up. Anyone else who accepted the challenge is welcome to leave a link in the comments, and thanks for playing!

*For those who aren’t familiar with it, Quiddler is a card-word game, kind of a cross between Scrabble and Gin Rummy. (Check out the medieval-style lettering on the cards.) Loads of fun, and I thank my little sister for getting me hooked.