When am I not? A writing friend once said I must have been a medieval princess in a former life. Which might make a lot of sense if I actually believed in reincarnation. Which I don’t. So perhaps I should look back into my childhood to account for this fascination with all things middle ages. Too many fairy tales? Too many King Arthur stories? I can hardly explain the thrill—nearing giddiness—I experience when I come across a book like Laura Amy Schlitz’s Good Masters! Sweet Ladies! (a Newbery winner, no less; and I absolutely swoon over the two-voice poems) or the bargain-bin tome Art of the Middle Ages by Riccardo Belcari and Giulia Marrucchi.
I have been perusing the latter of late. I have been especially transfixed by the beautiful photos of ruined Irish monasteries and the stone crosses dating from the 800s or so. Then there were the pages from the Book of Kells and Lindisfarne Gospels. I have a definite weakness for illuminated manuscripts. The colors! The gorgeous Latin script! (I recently picked up a library book on Vikings and right there on page 5 or so read about their raid on the Lindisfarne monastery in the late 700s. Coincidence? Hmm…)
Speaking of the library. A couple of days ago I had an hour to myself in the grown-up section and while wandering around in bliss, I came across a paperback copy of Maureen Ash’s Murder for Christ’s Mass, which led me into the stacks to find the first of her Templar Knight mysteries, The Alehouse Murders. Now I’ll say right off that Ash is no Ellis Peters, but so far I’m having fun getting to know the denizens of Lincoln in the year 1200, including the former Crusader Sir Bascot de Marins. (My nightly read-aloud with Number One Daughter, Kevin Crossley-Holland’s Arthur and the Seeing Stone, also is set in 1199/1200. Coincidence? Hmm…)
